
Modern Military
U.S. Army infantry and USMC Light Armored Reconnaissance share a grounded expressive rendering style, but the formations live differently, move differently, and fight differently.
Modern Military →Different worlds. Different visual languages. One anthology built around character, adventure, authenticity, humor, consequence, and strong sequential storytelling.

The Sandbox combines contemporary military stories, military humor, historical adventure, science fantasy, veteran experience, technical competence, institutional absurdity, sensuality, camaraderie, courage, fear, loss, and imagination.
Military readers should recognize genuine culture and behavior. Civilian readers should never feel they are being given a lecture. The anthology succeeds first as entertainment — and then reveals how much history, military culture, technical knowledge, and emotional truth came with the ride.
Each property is being developed for its own artist and its own emotional register. The common thread is readable human behavior under pressure.

U.S. Army infantry and USMC Light Armored Reconnaissance share a grounded expressive rendering style, but the formations live differently, move differently, and fight differently.
Modern Military →
Resistance adventure in occupied France, 1943 — clear-line visual storytelling, romantic complications, physical comedy, bureaucracy, sabotage, and danger.
Interdit, Marguerite! →
Gallipoli, 1915. Ordinary soldiers attempt to make an impossible campaign function through salvage, repair, field engineering, and improvised survival.
Tin Cans & Bailing Wire →
A full-pulp science-fantasy serial where planetary cultures, materials, technology, architecture, and biology should reveal origin before exposition is required.
Commander Vex →The Sandbox is shaped by veterans and experienced storytellers, but it is not a closed conversation for veterans. The military and historical detail should deepen the entertainment rather than replace it.